For Wed. 11/20

This week we will begin class by discussing Dillard's "Total Eclipse" and continue with the first half of Maps to Anywhere. Please read and bring the texts and come prepared to discuss and share your ideas constructively.

Write your blog response on either of these readings, and otherwise follow the syllabus for assignments and due dates.



Essay Writing Assignment 1: follow the instructions below to choose a word,  create five parts/sections, and then turn this material into an essay of your own.

Writing A Creative Essay Exercise (from: http://www.chsbs.cmich.edu/Robert_Root/AWP/cnf.htm)

Kim Barnes: “What is a Word Worth?”

        I often speak to my writing students about "bringing their intellect to bear" as they compose their personal essays.  What I mean by this is that the best literary nonfiction should work at a number of different levels, including the level of intellectual stimulation.  The problem we face as writers of nonfiction is how to challenge our individual stories--how to take the narrative itself and expand its breadth and reach to encompass more of the world.

        One exercise that I use to help my students achieve this goal involves building an essay from a single word. First, the students each choose one word--any word--to which they are particularly drawn, a word that resonates for them.  A young man just discharged from the military chose "paratrooper"; a middle-aged woman of Scottish descent chose "bagpipes."  I then require that the students write five sections of nonfiction revolving around this single word: The first, third, and fifth sections must be personal memories triggered by the word, and they must be written in present tense no matter the actual chronology; the second and fourth sections must be more analytical, intellectual, philosophical, and explore the word in a more scholarly way.  I direct the students to study the word's derivation and history. They often find passages in religious texts and mythologies that inform the word's meaning in their own experience.  Some discuss the word's appearance and use in contemporary literature or film.

        The goal of this exercise is to weave the word's broader application into the writer's personal experience.  Ideally, the five sections weave together and inform one another and bring to the essay a kind of intellectual unity as well as a greater depth and complexity.